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Awaiting a new dawn

Looking back in retrospect to a time where it was hard to be seen or discovered, we have a lot that we have accomplished as artists. But now music is being discovered, and the system by which its being found, allows artists to take charge in where their music goes. without labels and without the middleman. We’ve come a long way as musicians and composers in the independent world. Instead of using our platform as a way to force the industry, we’ve become a part of the music scene itself, a part of music history. #WEATNU is at the sunset of its former days, as ideals and motivations change, and this idea we have has helped the many.

An artist dreams of being heard, at least for the mere sake that you “climbed that mountain” and it feels good to accomplish a goal. To make a notch in the music scene with others, to make a change to help the niche artist and their fans. After 8 years We are the New Underground has been doing the same thing, but we are looking at the sunset of those 8 years and looking forward to the sunrise of the next era in a future not yet known.

What worked then, no longer works now, what was needed then is no longer needed. If the artist now has complete control over their music, their entire catalog and their fan base (which they should) then what about labels and free communities that help artists? Those places are still just as relevant, as they allow the artist to seek out new listeners and fans. Not just radio and streaming, or even Bandcamp but the indie label itself still matters. The artist may feel proud that they climbed to the top on their own, but none of us really make it there by ourselves.

Our efforts are not alone, as #WEATNU has loyal followers, some seen and some unseen, who help the new artist while they themselves benefit from the scene itself. The element to making music is greater than the career that comes from it. Art and music are the beating heart of what it means to be human, and the greater care taken to ensure that survives is above all. WEATNU isn’t a label, it’s a movement, of musicians, artists, poets and dreamers, all of which long for others to simply enjoy the work they have left behind.

We can’t all be David Bowie but there are others who are just as talented yet unseen, even underappreciated. This article should go to the labels, their indie artists and the fans that keep them going.

Most of us don’t make a dime from our work, but at the end of the day, that music you create is being heard by someone. Those people who take the time and put together large radio shows, for the artist, without payment, for the mere pleasure of getting the music heard, we salute you here at #WEATNU.

We’re all working together in some way to strike the balance for the artist. And there will always be artists who think they can do it all on their own, but adding their work to other places actually brings them newer connections and helps build a foundation, and new friends. No artist ever made it to the top alone, someone somewhere helped them see the peak that was hiding over the next cliff side. WEATNU continues to move with the DIY scene, and that means we move with your music.

#WEATNU Digital Magazine Almark
July 2023

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The New Pollution – Live at Creative Corner

Wham, Bam, Thank you Ma’am – With a hint of Stones, Blondie, late 70’s Punk coupled with Elvis Costello, and 90’s pavement, you get a hit straight out of NYC itself.’

I’ve been listening to music most of my life, starting with a journey of 70’s rock during the early 80’s, and well into my teen years, with bands such as R.E.M. – and various Alternative rock groups. The super-group The New Pollution finds our ears this month, formed not from NYC but outside their state of residence, put together as High School friends. There are hints of John Spencer’s Blues Explosion, and our ears go wandering via this avant-garde rock anomaly. This is clearly an 80’s recreation by influence. Since the album is one continuous long-play, ones ears just need to take them in the direction they wish to go. Before the album is complete, past the warm up, then you really get to hear the genius of The New Pollution, when the organ comes in on Sad Pricks, coupled with, jazz-related tones, saxophone infused melodies, noise, wonky off-beat intervals and even a tambourine. On the final song, basslines that take you back to songs from The Talking Heads, and big city club music, in dark setting. It’s much like those hip cats during the days of the beat generation, just doing their thing. Influenced by the likes of David Bowie, on the first track and throughout, taken from each member’s influence, (Joy Division, The Fall, Pere Ubu) – as related from their leader, even early synth-pop. It’s an acid-jazz, snappy drum beat, punk rock, ska, session, that reminds me of the type of music I get to listen to at the local coffee shop I frequent, playing on the flat-top disc machine, “they have an actual turn-table there, behind the counter you know, classic, ya dig?”

Almark#WEATNU Digital Magazine
December 2019

Pick up the CD on WEATNU Records.
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